我所追求的，不是構圖精美的畫面，
而是氣息的流動、時間的寧靜，
與一種讓人游移其中的觀看方式。

我稱這種觀看為「攝影道法」——
一種無為而觀的在場練習。

而我所發展出的拍攝語言，則稱為「氣韻攝記」：
一種與空氣共振、與環境共鳴的影像書寫方式。

I do not seek perfectly composed frames,
but the flow of presence, the stillness of time.

This way of seeing I call the Photographic Tao,
a practice of effortless, mindful witnessing.

I call my photographic language Scentography:
a way of seeing that follows the scent of light,
and resonates with the rhythm of the world.